Digital Visual Content Creators
VFX Compositor - Motion Designer -3D Artist
WELCOME TO NOFICTIONART SITE
We are an independent digital visual effects studio, based in Barcelona, with several years of experience and collaborations in art, communication, spectacle and entertainment. We create visual effects, animations and video post-production for film, television, commercials, music videos and cartoons. Lead by Gianpaolo Rende (senior vfx compositor), in a collaborative atmosphere we bring together: screen player, artists, technicians and talents to work for the realization of quality creative content, while for the motion picture industry using the most advance techniques for the integration and manipulation of secuences or moving images, environments and landscapes. Always oriented toward the use of emerging innovative visual languages, we take care of the entire workflow, from the beginning of the creative process to the final master delivery.
RIGHT NOW
AEQUILIBRIUM | footboard
Client: Avmicrolab
Motion Designer by Gianpaolo Rende
Produced: © nofictionart 2023
PODLIGHT | footboard
Client: Avmicrolab
Motion Designer by Gianpaolo Rende
Produced: © nofictionart 2023
WINPRO | footboard
Client: Avmicrolab
Motion Designer by Gianpaolo Rende
Produced: © nofictionart 2023
VFX - 3D
Visual effects
The world of visual effects is one of the most prolific and interesting in the digital revolution still going on. It is a frequent phenomenon, rapidly renewing, ever-expanding that affects every level of the creative industries. In the history of moving images, the natural resourcefulness of the film industries has fostered the metabolic use of technologies that have since become available to everyone at low cost. use of technologies that had long since become available to everyone on the cheap. In the video post production studio, only the most talented VFX artists and teams are responsible for creating the visual content needed to supply both the distribution chain of the entertainment industry’s streaming television channels, that and bring to life improbable ideas, until not so long ago considered unrealizable. Now, thanks to the computational power of computer graphics and talented people, and reduced costs, audiovisual products have improved dramatically, making the ordinary world extraordinary and objectively more accessible and exposed to profitable market investment.
COMPOSITING
Optical flow
The most stunning visual effects (both optical or digital) are are the very ones that are imperceptible, that identify with the narrative plot or that blend into a given sequence. By processing a vast amount of data, processing tracks, assets and video sources, physical elements, lighting, textures and materials, coming from the most powerful rendering (CG) rendering engines, integrating environments, landscapes, animals, creatures, architecture and outstanding special effects filmed directly in-camera on the set, and employing the appropriate compositing techniques we are sure to achieve a total and faithful simulation of reality, an optical flow that would otherwise be considered too dangerous, improbable, impossible or too expensive to realize, to duplicate or replicate. So even the most experienced VFX compositor, while using the most sophisticated moving image manipulation techniques, believes that, at the end of the process, it will always be the eye of the beholder that will successfully determines the validity of the audiovisual product.
The most stunning visual effects (both optical or digital) are are the very ones that are imperceptible, that identify with the narrative plot or that blend into a given sequence. By processing a vast amount of data, processing tracks, assets and video sources, physical elements, lighting, textures and materials, coming from the most powerful rendering (CG) rendering engines, integrating environments, landscapes, animals, creatures, architecture and outstanding special effects filmed directly in-camera on the set, and employing the appropriate compositing techniques we are sure to achieve a total and faithful simulation of reality, an optical flow that would otherwise be considered too dangerous, improbable, impossible or too expensive to realize, to duplicate or replicate. So even the most experienced VFX compositor, while using the most sophisticated moving image manipulation techniques, believes that, at the end of the process, it will always be the eye of the beholder that will successfully determines the validity of the audiovisual product.
EDITING
Linear non-linear
In order to bridge the gap between creative minds, the progress of advancing technology, and the professionals in the field who train every day to adapt to the sudden changes in the digital industry, we give the video editor one of the most prestigious assignments in the film production sphere. It often happens that films tend not to be shot in the same chronological order, in which case the editor day after day receives and organizes from first to last all video sequences. As the clips arrive from the set, he supervises the filming, checks the format, technical quality standards, and checks for narrative congruence, logical connection, and meaning. Then working constantly side by side with the director, piece by piece, frame by frame, in each sequence he cuts, sews and reworks looks and analyzes the same plot several times, correcting all imperfections. In adherence to the script he works scrupulously until he gets the okay from the production for the final cut, the final blocking of the image, the seal that finally declares the work of editing the film finished.
